• mountainside

    mountainside

    "Mountainside" (2024) 150 x 180 cm (59 1/16 x 70 7/8 in) Acrylic, Sand, Raw Silk, Paper, Sawdust

  • The Visitation

    The Visitation

    "The Visitation" (2024) 48 x 36 cm (18 7/8 x 14 3/16 inches) Acrylic and Pastel on Paper

  • Unseen Warfare

    Unseen Warfare

    Unseen Warfare (2024) 145 x 180cm (70 7/8 x 59 1/16 in.) Acrylic, fabric, sand, and paper on canvas

  • Roofs’ edge

    Roofs’ edge

    Roofs' edge (2017) 100 x 90 cm Pigment, binder and mixed media on linen

  • Displaced Sun with Shadows

    Displaced Sun with Shadows

    Displaced Sun with Shadows, 2019 Michael Markwick 75 x 90 cm Acryl auf Leinwand Photo: Eric Tschernow

  • The Edge of Conceded Sunlight

    The Edge of Conceded Sunlight

    The Edge of Conceded Sunlight (2016) 180 x 150 cm Pigment, binder and mixed media on linen

  • Poet Climbing Out of the Earth

    Poet Climbing Out of the Earth

    Poet Climbing Out of the Earth, 2017 Pigment, binder and acrylic on Linen, 70,9 x 59 inches Private collection Cologne Germany

  • Dissonant symmetries

    Dissonant symmetries

    Dissonant symmetries (2016) 180 x 150 cm Dispersion and pigment on linen Michael Markwick

  • Last Snow

    Last Snow

    Last Snow( 2016) 60 x 50 cm (23,6 x 19.7 in) Binder, pigment, and mixed-media on linen Private Collection Berlin

  • Shifting River (2016)

    Shifting River (2016)

  • Dark Culvert

    Dark Culvert

    Dark culvert (2016) 180 x 150 cm (70 7/8 x 59 1/16 in) Collage with pigment and binder on linen

  • Shadow dweller

    Shadow dweller

    Shadow Dweller (2015) 182 x 152 cm Synthetic polymer paint and pigment on paper<br><em>Private Collection: Germany</em>

  • Fractured View

    Fractured View

    "Fractured View" (2014) 152 x 180 cm Vinyl paint on paper

Nature-Structure Collisions

These fall within the category of  collisions of architectural and urban forms with elements of nature. They are sometimes rooted in my childhood experiences growing up in an American trailer park on the edge of the wetland forests, while also shaped by my current working environment of Nature-Structure Collisions in Berlin.